Violin Forum/Message Board Forum Index Violin Forum/Message Board
Provided by Violin Vision
 
 FAQFAQ   SearchSearch   MemberlistMemberlist   UsergroupsUsergroups   RegisterRegister 
 ProfileProfile   Log in to check your private messagesLog in to check your private messages   Log inLog in 

Morphological Evolution of the Violin

 
Post new topic   Reply to topic    Violin Forum/Message Board Forum Index -> Violin Making and Restoration Forum
View previous topic :: View next topic  
Author Message
kubasa
Member


Joined: 13 Sep 2007
Posts: 212

PostPosted: Wed Oct 15, 2014 12:57 pm    Post subject: Morphological Evolution of the Violin Reply with quote

Did anyone come across or read this article yet?

http://www.plosone.org/article/info%3Adoi%2F10.1371%2Fjournal.pone.0109229#abstract0

I'll be honest that I really haven't read it. The topic seems interesting, though. I hope to read it this weekend. It was published Oct. 8 so it's fairly new.

James
Back to top
View user's profile Send private message Visit poster's website
DonLeister
Moderator


Joined: 29 Mar 2007
Posts: 383
Location: Richmond, VA

PostPosted: Wed Oct 15, 2014 7:03 pm    Post subject: Reply with quote

Yes, a friend sent it to me and I skimmed it. I just looked at it again and found the 'conclusion' part luckily. It's a dense piece of number crunching it looks like.
Back to top
View user's profile Send private message Visit poster's website AIM Address
ctviolin
Super Member


Joined: 07 May 2009
Posts: 961
Location: Roswell

PostPosted: Thu Oct 16, 2014 8:48 am    Post subject: Re: Morphological Evolution of the Violin Reply with quote

kubasa wrote:
Did anyone come across or read this article yet?


I'll be honest that I really haven't read it. The topic seems interesting, though. I hope to read it this weekend. It was published Oct. 8 so it's fairly new.

James


Thanks James.
I also read AT it.
Several times in fact.
It is a well researched and well written piece, obviously the author was interested in whatever point or points he was trying to put forth.
But for me, that's sort of the problem with this piece of writing. There was no real point I could find in the piece, other than there are great number of similarities in violin and string instrument outline and design...
Which thing I already had a knowledge of.
His use of somewhat dense technical terms, often seemed to verge on the pedantic for the sake of pedant ism... There was no need for much of it.

Also his frequent mention of how very many violins he was using for the meat of his figures was a bit unnerving.
I'm thinking that he went to extraordinary lengths to graphically demons-trait EVERYTHING, while saying not much of interest to makers. To theorists, perhaps this presentation is worth reading or studying.

I hope my criticism is not demeaning or problematic for you, and that you may feel free to criticize my criticism's... freely. I know how easy it is to be critical of someone else's work. And I have no great work of my own to point to so, there you go, I'm simply being (perhaps) overly critical.

That's just my nature.
I'm curious what everyone else thought of this piece?
_________________
Look,
Listen,
Learn.
Back to top
View user's profile Send private message Send e-mail
Mat Roop
Senior Member


Joined: 24 Mar 2007
Posts: 911
Location: Wyoming Ontario

PostPosted: Thu Oct 16, 2014 10:41 am    Post subject: Reply with quote

Looks like a PHD thesis? I read the conclusion, but for me, there was nothing that struck me as practical or useful.
Cheers, Mat
Back to top
View user's profile Send private message Send e-mail Visit poster's website
DonLeister
Moderator


Joined: 29 Mar 2007
Posts: 383
Location: Richmond, VA

PostPosted: Thu Oct 16, 2014 12:14 pm    Post subject: Reply with quote

I agree with you CT.
I also wondered about how the writer measured the instruments, photos I presume.
Yah, I was hoping for something practical or useful too Mat!
Back to top
View user's profile Send private message Visit poster's website AIM Address
Janito
Member


Joined: 08 Oct 2007
Posts: 114
Location: USA

PostPosted: Thu Oct 16, 2014 7:25 pm    Post subject: Reply with quote

I think you may be missing an important point.

The author is showing how an algorithm can group violins in clusters based on certain characteristics.

Now assume that you have data on many different violins from many diverse sources, photos, CT scans, measures etc..

Might you be able to generate a "Charles Beare" in silico?

The analysis of Big Data is here, but not yet for violins.
Back to top
View user's profile Send private message
Michael Darnton
Moderator


Joined: 23 Mar 2007
Posts: 1347
Location: Chicago

PostPosted: Fri Oct 17, 2014 8:42 am    Post subject: Reply with quote

There was someone on the web a few years ago who was "certifying" violins based on photos, matching them via software to a database he'd assembled of the locations of principal points on outlines and f-holes. I seem to remember it was costing a couple of hundred bucks, and he was bragging to have "discovered" a Landolfi violin that didn't look like a Landolfi to me at the time. In general, the idea is a spectacularly bad one to anyone who knows violin making history.
_________________
new blog at my site! http://darntonviolins.com/blog
my work sites: http://darntonviolins.com and http://darntonhersh.com
Back to top
View user's profile Send private message Send e-mail Visit poster's website
ctviolin
Super Member


Joined: 07 May 2009
Posts: 961
Location: Roswell

PostPosted: Fri Oct 17, 2014 10:55 am    Post subject: Reply with quote

Janito wrote:
I think you may be missing an important point.

The author is showing how an algorithm can group violins in clusters based on certain characteristics.

Now assume that you have data on many different violins from many diverse sources, photos, CT scans, measures etc..

Might you be able to generate a "Charles Beare" in silico?

The analysis of Big Data is here, but not yet for violins.


Algorithms are useful for many things and logic and mathematics are very useful, for many things also. I'm not sure that they apply as such, in such a situation as this.
The thinking that rides along such mathematical, and such logical rails, is not the same kind of "logic" that applies or is really workable here with these comparisons.
I believe that this author is talking "apples and oranges", or perhaps its more appropriate to say that he's comparing "apples and skyscrapers".
To what end, I'm still not sure.

Janito, I'm not sure who it is that's missing an important point here.
_________________
Look,
Listen,
Learn.
Back to top
View user's profile Send private message Send e-mail
Janito
Member


Joined: 08 Oct 2007
Posts: 114
Location: USA

PostPosted: Fri Oct 17, 2014 3:58 pm    Post subject: Reply with quote

Spectacularly bad idea - perhaps.

Missing the point - perhaps.

Now consider this: apparently unconnected data can point to the identity of a unique individual - the sum being much greater than the component parts. This has led to a huge emphasis on the legal handling of "personally identifiable information" collated by trawling systems.

That would happen with violin-related information if there is ever anyone interested enough to fund the exercise.

We should have this discussion again in 10 years time.
Back to top
View user's profile Send private message
Michael Darnton
Moderator


Joined: 23 Mar 2007
Posts: 1347
Location: Chicago

PostPosted: Fri Oct 17, 2014 5:10 pm    Post subject: Reply with quote

The problem with violins is that the transmission of this data is not organized, or linear, or sensible. Someone in Poland in 1840 could get a Strad in his hands and if he was smart, copy enough details to convince someone who didn't know enough that it was a Strad.

There was a committee of Swiss police "experts" in the 60s or 70s who put together a series of books based on visible and measurable data points, along with UV and infrared. Their goal was to assemble a set of verifiable examples of the great makers to work from--to show the dumb violin makers how forensic experts could sort it with science. Unfortunately, their books were mostly filled with crap, because violins resist brute force attempts to organize them. Some of my violins look more like Strads in many more features than some Strads I have seen, for instance.

The art world has the same problem. There are personal issues much more subtle than machines can pick up. Janito, did you see the Rembrandt and fakes show at the NC Museum of Art? I went and it was wonderful. A mix of real and fake. About 1/3 of the way through, I started to be able to sort them, but I would challenge a machine to do it on the basis that I used.
_________________
new blog at my site! http://darntonviolins.com/blog
my work sites: http://darntonviolins.com and http://darntonhersh.com
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Janito
Member


Joined: 08 Oct 2007
Posts: 114
Location: USA

PostPosted: Fri Oct 17, 2014 8:03 pm    Post subject: Reply with quote

Quote:
The problem with violins is that the transmission of this data is not organized, or linear, or sensible.


All valid points.

And to add to them, please watch the great Orson Welles film "F is for Fake".
Back to top
View user's profile Send private message
ctviolin
Super Member


Joined: 07 May 2009
Posts: 961
Location: Roswell

PostPosted: Sun Oct 19, 2014 4:45 pm    Post subject: Reply with quote

Janito wrote:

And to add to them, please watch the great Orson Welles film "F is for Fake".


I did read the on-line information about this film, and it sounds like a worthwhile film to watch, Janito. I'll have to get back to you on this one, as I do not believe that I've seen it before.
Now I have to go to Hastings and look for the DVD.
Orson Welles... what an "odd" guy he was.
_________________
Look,
Listen,
Learn.
Back to top
View user's profile Send private message Send e-mail
kubasa
Member


Joined: 13 Sep 2007
Posts: 212

PostPosted: Fri Oct 31, 2014 12:49 pm    Post subject: Reply with quote

Well, I FINALLY sat down and read the article. I guess I didn't walk away with anything like others mentioned. I picked up a lot more from the subsequent postings after mine in this thread than the article!

James
Back to top
View user's profile Send private message Visit poster's website
Display posts from previous:   
Post new topic   Reply to topic    Violin Forum/Message Board Forum Index -> Violin Making and Restoration Forum All times are GMT - 4 Hours
Page 1 of 1

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum


Powered by phpBB © 2001, 2005 phpBB Group