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Spudchucker Member
Joined: 06 Feb 2014 Posts: 39
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Posted: Mon Feb 17, 2014 7:25 pm Post subject: |
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| Franciscus wrote: | | A sunken upper treble f-hole wing may indicate a loose soundpost, one that protrudes may indicate a too tight soundpost. The conclusion is to you. I'd say - too tight soundpost (slightly) - don't indicate a disastrous situation, but still... Take this fiddle to the luthier, just ask him for estimation of repair/setup cost (this is free, mostly) and you will know exactly what needs to be done (just my two cents) |
Will do as soon as I am able to. It's nice to see the consensus that it doesn't look dire in the meantime
I have an off-topic question that I couldn't find an answer to on Google- Could anyone tell me why as I try to learn vibrato, certain notes midway up the fingerboard sometimes make a clicking/tapping sound with each vibrato-(ish..) movement of my wrist? If I make careful adjustments to my form based on the violin's feedback, or use bad form and only wiggle my fingers, it will generally stop. When I didn't know the soundpost was completely freefloating and held by friction I assumed it was from it knocking on the bottom, but now I see that isn't possible so I'm curious again if anyone knows! |
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Cliff Green Member
Joined: 01 Apr 2007 Posts: 111 Location: Amissville, Virginia
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Posted: Mon Feb 17, 2014 8:58 pm Post subject: |
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First guess is that your finger board does not have proper scooping causing the string to vibrate against the finger board.
IMO you need to get some basic information concerning set up, construction etc. you could start by looking at violinmag.com as someone previously recommended. This, though incomplete at this time, was written by Michael Darnton, builder, violin building pedagogue, and one of our moderators. Or, if you can afford the investment $80 for Courtnal & Johnson, Art of Violin Making or $30 H Strobel, Violin Building Step by Step. |
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Franciscus Member
Joined: 11 Jan 2014 Posts: 43 Location: Tuzla, Bosnia
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Posted: Tue Feb 18, 2014 1:21 am Post subject: |
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| Cliff Green wrote: | First guess is that your finger board does not have proper scooping causing the string to vibrate against the finger board.
IMO you need to get some basic information concerning set up, construction etc. you could start by looking at violinmag.com as someone previously recommended. This, though incomplete at this time, was written by Michael Darnton, builder, violin building pedagogue, and one of our moderators. Or, if you can afford the investment $80 for Courtnal & Johnson, Art of Violin Making or $30 H Strobel, Violin Building Step by Step. |
Excellent point, I'd say. There is another book that you could/should read: http://www.amazon.com/gp/product/1890490431/ref=oh_details_o00_s00_i01?ie=UTF8&psc=1. By reading some of listed literature, one can find answers on lot of questions. |
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Spudchucker Member
Joined: 06 Feb 2014 Posts: 39
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Posted: Tue Feb 18, 2014 1:38 am Post subject: |
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Good suggestion but I don't think its due to an instrument specific problem- It has happened with both violins I've used thus far (sorry I probably should have mentioned that before,) so it's likely due to my form and not the instrument (unless this string slapping is a common problem?) It literally sounds like someone is tapping the violin with each full cycle of vibrato until I fix my form
Looks like I'll be checking out the library soon with these book suggestions though, let's find out how well-stocked it is for a small town library |
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Franciscus Member
Joined: 11 Jan 2014 Posts: 43 Location: Tuzla, Bosnia
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Posted: Tue Feb 18, 2014 1:49 am Post subject: |
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| Spudchucker wrote: | | Good suggestion but I don't think its due to an instrument specific problem- It has happened with both violins I've used thus far (sorry I probably should have mentioned that before,) so it's likely due to my form and not the instrument (unless this string slapping is a common problem?) It literally sounds like someone is tapping the violin with each full cycle of vibrato until I fix my form |
Then you should buy smaller wristwatch (sorry, could not resist ) |
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Scott S Junior Member
Joined: 27 Jan 2014 Posts: 24 Location: Michigan, Tri State area
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Posted: Tue Feb 18, 2014 2:27 am Post subject: |
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Looking at your 1st picture on page one, at 400 zoom, your number one chinrest is sitting on top of the tailpiece. Could the tailpiece be knocking against the chinrest? You need clearance there. I've never seen this before, but it could be possible.
Scott _________________ As always, send lawyers, guns, and money |
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Scott S Junior Member
Joined: 27 Jan 2014 Posts: 24 Location: Michigan, Tri State area
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Posted: Tue Feb 18, 2014 2:43 am Post subject: |
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At the underside of the tailpiece, are the fine tuners too close to the violin top?
Scott _________________ As always, send lawyers, guns, and money |
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Spudchucker Member
Joined: 06 Feb 2014 Posts: 39
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Posted: Tue Feb 18, 2014 11:32 am Post subject: |
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Good eye with that chinrest (I thought it may have been the issue at one point as well) but I've since bought another one with much better clearance, which does also hold the fine tuners well away from the top.. Still making the noise. It happens when instead of my hand rolling freely around the neck, I put a little pressure on it with each movement (not much) because the muscle memory isn't quite there yet. The tap sound happens when I'm rolling my hand back towards the pegs.
Could the string be sliding over the bridge and making a click like when you're tuning and a string suddenly moves a tiny bit? It fits, but I just don't see how it would happen over and over so consistently
PS.. Fransiscus- I'm a millenial, my wristwatch is a smart phone  |
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Scott S Junior Member
Joined: 27 Jan 2014 Posts: 24 Location: Michigan, Tri State area
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Posted: Tue Feb 18, 2014 1:52 pm Post subject: |
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Does this happen on one string, all strings, some strings? Always at the same point up the fingerboard, or all positions? If it is at the same general position then mark the side of the neck at that point with masking tape, lay a straight edge on the fingerboard and give us a sideways picture of that. I'm a repair guy, I'm not that apt on fingerboard shapes. Rarely do the instruments that I get have FB problems, but I have found dead spots.
Scott _________________ As always, send lawyers, guns, and money |
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Scott S Junior Member
Joined: 27 Jan 2014 Posts: 24 Location: Michigan, Tri State area
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Posted: Tue Feb 18, 2014 2:17 pm Post subject: |
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Also, rule out, tailgut slipping, bridge creeping along plate and peg slipping. The only way to rule out the open seam is to fix it.
Scott _________________ As always, send lawyers, guns, and money |
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Spudchucker Member
Joined: 06 Feb 2014 Posts: 39
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Posted: Wed Feb 19, 2014 2:12 pm Post subject: |
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I didn't have any masking tape, but the aluminum foil more or less marks out the spot that I get the tapping sound from. I don't recall it happening on the E string (though it could have) but it definitely happens on the D and A strings. I'm unsure of G as well. Sorry for being vague but it's not something I can just make happen on a whim, because I don't really know what I'm doing that causes it
Since it has happened in the same way on both violins I've ever used, I got a shot of both
Doesn't look like there's a whole lot out of place to my untrained eye, but both fingerboards do have a slight dip (+-1mm) between where the foil is and the instrument body.
Also, on the Hopf, there is one tiny spot that on the D string where the foil is that makes a different sound, which is seemingly the same thing that the person who started the "My B on my G" thread is experiencing (a random note jump on a highly resonant frequency, though it's very brief.) This is a different sound than the tapping though, so I'm pointing it out just in case something in the pictures would predict that happening.
If it was a peg slipping or bridge walking, it would be throwing the instrument out of tune in a hurry, right? If so that wouldn't be it because they both hold pitch pretty well. Can't rule out tailgut (I'm assuming that is the red string holding the tail to the body?) because I don't know what to look for, but it would be odd to have anything happening on two very different violins that isn't due to problems with my form |
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kjb Super Member
Joined: 06 Feb 2013 Posts: 385
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Posted: Thu Feb 20, 2014 8:40 am Post subject: |
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| from what I can see on the pic ( which may not be correct) it doesn't look like you have any scoop, that the Fb is flat from the nut to the end? |
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Spudchucker Member
Joined: 06 Feb 2014 Posts: 39
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Posted: Thu Feb 20, 2014 9:33 am Post subject: |
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| kjb wrote: | | from what I can see on the pic ( which may not be correct) it doesn't look like you have any scoop, that the Fb is flat from the nut to the end? |
There is a small upward bend to it (hard to see in the pics as you mentioned) -is that something that is supposed to be there? It's probably less than 2mm from end to end, but there is a small gap in the middle of the fingerboard between it and the ruler
Also, I got the tapping sound last night on the E string in the same general area while doing vibrato, so I think it's safe to say it can happen across the width of the fingerboard in that area (and on multiple violins) so long as I'm doing bad vibrato. Almost definitely has to do with form. I think I'm just gonna chalk it down as something flexing and creaking that won't be doing so for long as my form improves |
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zmp2 Junior Member
Joined: 05 Aug 2012 Posts: 1
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Posted: Sun Mar 02, 2014 8:52 am Post subject: |
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| You should check the FB scoop with a metal straight edge; with some light from behind, it will show real good. The scoop should be gradual from nut to end with the largest part in the middle. |
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Spudchucker Member
Joined: 06 Feb 2014 Posts: 39
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Posted: Wed Mar 12, 2014 4:07 pm Post subject: |
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| zmp2 wrote: | | You should check the FB scoop with a metal straight edge; with some light from behind, it will show real good. The scoop should be gradual from nut to end with the largest part in the middle. |
Sorry about the long response time, things have been pretty busy around here
I couldn't find a good metal straight edge, but it looks pretty much exactly as you described (very slight scoop over the course of the FB, a bit more emphasized in the middle) and since there is only an issue when my form is sloppy (on multiple violins, at that) I'm just gonna call this a harmless blessing in disguise and use it to help keep my form in check.
Also, thanks to Scott I now have a small vellum parchment circle protecting the bridge on my E string, and it is working beautifully to keep the string from eating its way into the wood. Thanks! |
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