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What happens when "we get there?"

 
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actonern
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Joined: 15 Aug 2007
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PostPosted: Wed Aug 07, 2013 5:26 am    Post subject: What happens when "we get there?" Reply with quote

I enjoy photography as a hobby and follow a number of bloggers on the net.

A recent post by one of my favorites was a particularly interesting read, and got me thinking about violin making.

http://visualsciencelab.blogspot.ca/2013/08/has-bubble-burst-is-that-why-camera.html

It's interesting to speculate about what would happen to our enthusiasm as makers for the craft if we ever get to a place where the methods of Stradivari are laid bare for all to understand and use. Would we be like the dog that finally caught the car?

E
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ctviolin
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PostPosted: Wed Aug 07, 2013 9:04 am    Post subject: Reply with quote

actonern wrote:


It's interesting to speculate about what would happen to our enthusiasm as makers for the craft if we ever get to a place where the methods of Stradivari are laid bare for all to understand and use. Would we be like the dog that finally caught the car?

E


Wow, actonern, a totally engaging question.

One that might take us beyond any stagnation of the mind we might experience generally, regarding any field of accomplishment. (as, a certain amount of stagnation can and will eventually happen in any field) and perhaps, get us thinking about life and living, and how things and experiences and occupations effect our mind, on an encompassing, current, world-view basis.

What do we do, and why do we do it?

If what you say actually did happen, with regard to Stradavari and his knowledge being laid bare for all to have and to use currently, today, well, the violin making world would change overnight, that's for sure... but, I wonder - would the level of accomplishment at the top professional level, or with regard to top makers of today, really shift much, if at all?

Strad makes a good puzzle for us all to cling to, in our efforts to make the violin a mysterious and rare object, without a solid modern equal. Or, with very few if any accomplished violin makers around today to equal him (strad) and his accomplishments. (Unless, of course, you want to consider the Amatis, and the Guarneri family, and the various other etc.'s as past era contemporary equals of his - of which, Strad is sort of the rat-pack leader)

There would be makers of today, still struggling to be at the top of this game, as there always will be, in any field of artistic accomplishment.

And, interestingly enough, when it comes to artistic accomplishment(s), the mechanical aspects come to nothing and the creative aspects take over the reality of what we're looking at (or yes, what hearing also - believe it or don't) and a new reality becomes the order of the day.

As with Miro, Picasso or Chagall... they have taught us about what's acceptable, or what's at the top, and why they are (it is) at the top, and what changing aspects of reality are involved with regard to art at least, and how what constitutes "at the top" may well change the reality we live in.

There never comes a time - no matter what else happens in the world, to make it seem that there is no place to go now in this field (and that means any field )- simply because there is always a group of someones who will take that level of accomplishment that exists now, as a basis for starting and continuing the goal of the game in a forward direction.

Perhaps?

Perhaps it's in our nature, that the dog never catches the car?
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Last edited by ctviolin on Wed Aug 07, 2013 10:00 am; edited 4 times in total
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Chet Bishop
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PostPosted: Wed Aug 07, 2013 9:48 am    Post subject: Reply with quote

If you stop your car, so that the dog can catch it, you are likely to find out what happens when the dog catches the car...and may want to wash afterward.

I doubt the average maker will ever catch the "Stradivarian Steamer", and if he did, I doubt he would know it. He would continue to think of things to improve, and probably never realize that he had "become the car".
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ctviolin
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PostPosted: Wed Aug 07, 2013 9:55 am    Post subject: Reply with quote

Chet Bishop wrote:

If you stop your car, so that the dog can catch it, you are likely to find out what happens when the dog catches the car..


OK, sorry - I went back and changed my "cat" back to "car"...

"sigh"
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ctviolin
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PostPosted: Wed Aug 07, 2013 10:15 am    Post subject: Reply with quote

Chet Bishop wrote:


I doubt the average maker will ever catch the "Stradivarian Steamer", and if he did, I doubt he would know it.





Wink

That steamer was created, well, perhaps not created origionally for this purpose, but was given the status of "never to be caught".

In fact, that's sort of the present day point of that particular steamer.
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ctviolin
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PostPosted: Wed Aug 07, 2013 10:26 am    Post subject: Reply with quote

ctviolin wrote:

In fact, that's sort of the present day point of that particular steamer.


And no, I don't mean the bow.
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actonern
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PostPosted: Wed Aug 07, 2013 12:46 pm    Post subject: Reply with quote

My personal ability to match Stradivari is under no threat, LOL.

Perhaps a different angle. Lets imagine that the disruptive effect that technology has had on photography was to occur in the violin world. Lets imagine that some bright light comes up with an easily mass produced synthetic fiddle that according to a wide range of experts and top players is hands down better than wooden fiddles. And can be had at Walmart for 499.00. Lets imagine that musicians flocked to these new marvels.

What effect would that have on your making? Not you pros, but you amateurs. (the pros would have a different problem... sort of like what happened when split cane bamboo fly fishing rods were replaced by graphite composites... still a market for them, but tiny.) Would you still carve away at wood in the traditional way, knowing that what you make will not match the new standard?

I know I'd struggle to pick up the gouge in such a reality. Part of the appeal of this work (like hitting a hole in one), is that you at least have a chance of making something that is top calibre...take that carrot away, and you might as well carve ducks.
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Chet Bishop
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PostPosted: Wed Aug 07, 2013 1:42 pm    Post subject: Reply with quote

Ah, well...I'm sure there will be a market for ducks, then. Smile
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ctviolin
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PostPosted: Wed Aug 07, 2013 3:12 pm    Post subject: Reply with quote

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ctviolin
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PostPosted: Wed Aug 07, 2013 3:43 pm    Post subject: Reply with quote

actonern wrote:


My personal ability to match Stradivari is under no threat, LOL.

Perhaps a different angle. Lets imagine that the disruptive effect that technology has had on photography was to occur in the violin world. Lets imagine that some bright light comes up with an easily mass produced synthetic fiddle that according to a wide range of experts and top players is hands down better than wooden fiddles. And can be had at Walmart for 499.00.



Well, probably we have to take one reality or the other, as the reality that exists, and the one that we are living in today, in order to make an argument that is understandable and/or applicable in this present universe.

We could argue "what if anything could be had for fifty dollars?, what then?

But honestly - why would we care to argue that?. Or we could argue; "what isn't real, is real" - jeeze, why argue such a thing? What's the point then of talking about anything "factual" in such a case ?

If things were different, things would be different - I believe that if any of us thinks hard enough, we can and do understand that that's the case.
Always.
But talking about what is, and what is not, are two COMPLETELY different things, right?
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Mat Roop
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Joined: 24 Mar 2007
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PostPosted: Thu Aug 08, 2013 12:12 am    Post subject: Reply with quote

Having been involved with photography since childhood (my Dad was a pro) I always valued the superior quality of film. I changed to digital about 5 years ago when film was getting hard to find and expensive. I was a reluctant convert, but now ... wow... digital is so much easier and waaaay cheaper and as far as quality for 99% of consumers there is no difference in quality.
The key was, as others have said, a newer way was developed to create virtually the same end product with 3 other major benefits... easier storage, quicker transmission and instant gratification.
If anyone develops a stamped out violin of same output sound quality as the classic violins... AND...with additional benefits benefits, such as no need to tune, collapses to pocket size and built in wifi with amp.... and a tone that inspires regardless of how badly you play.... well then my guess is that the violin business as we know it will disappear within a few years to become nothing more than collectors art.
Will that happen? I doubt it , but then did someone not suggest in 1899 that all that could be invented was now invented?
http://www.patentlyo.com/.a/6a00d8341c588553ef0148c760a85b970c-pi
I think we can look forward to a few more years of sailing pursuing the Stradivarius steamer!
Cheers, Mat
ps... nice discussion!
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ctviolin
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PostPosted: Fri Aug 09, 2013 3:06 am    Post subject: Reply with quote

Well, it's an interesting thing to contemplate, and an interesting thing to argue the probability of, and the possible outcome of, if such a thing were to occur. ("getting there", that is)

But the reality of the situation is that we're here, and that's the actuality we must exist in, operate in, and deal with.

So, other than simply acknowledge that such a thing is within the realm of possibility, and that it could one day occur - it is, in fact, at this point in time - discussing a fantasy world. So - why get wrapped up in it too deeply?


Violins have not, in fact, even remotely gone such a route as digital cameras or i-phones have.

There is still a core value here - regarding violins - of some sort - that has not been understood completely yet, that keeps them in a sort of "limbo" involving value with regard to superior and/or inferior performance...

Isn't there?
Yes, an interesting subject indeed.
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