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Re-finishing a violin question

 
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Canuck
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PostPosted: Tue Oct 23, 2012 6:56 pm    Post subject: Re-finishing a violin question Reply with quote

I'm not asking anyone to divulge a deeply held trade secret. But I have been wondering how one would go about re-finishing the top of a violin considering the presence of the "f" holes, and the danger of messing up the violin, inside? In particular, the label!
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actonern
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PostPosted: Tue Oct 23, 2012 8:03 pm    Post subject: Reply with quote

With all the mandatory cautions about affecting value by refinishing, commiting sabotage against the integrity of the maker's design, insulting the Gods, etc...

I've found that your question is very dependent on the varnish itself. If the varnish disolves easily with alcohol, its a small job to keep wiping an alcohol soaked rag (not dripping!) and wiping the varnish off. Have you been able to determine what solvent (if any) the varnish is vulnerable to?

E
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Canuck
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PostPosted: Tue Oct 23, 2012 8:34 pm    Post subject: Reply with quote

I'm not asking this as a restorer. My one violin has been refinished, and there is no trace of evidence inside that the work was done. Having no clue how varnish is applied, I have wondered how the work might have been done. One thing I have found with the finish on this violin is that the finish is delicate enough to be marked by a finger nail! Is that normal for varnish?
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ctviolin
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PostPosted: Tue Oct 23, 2012 8:40 pm    Post subject: Re: Re-finishing a violin question Reply with quote

Canuck wrote:
I'm not asking anyone to divulge a deeply held trade secret. But I have been wondering how one would go about re-finishing the top of a violin considering the presence of the "f" holes, and the danger of messing up the violin, inside? In particular, the label!



Very interesting..., I'll bite.

"Deeply held trade secrets" are usually only personal secrets that makers develop and use for themselves today, currently - in order to keep their own work distinct from other modern makers work. Which is a legitimate practice for some makers.

Probably you were talking abut such a thing as this, by using those terms?

and you'll not (most likely) get such methods from the makers who consider them "deeply held trade secrets", at least immediately. Usually after questioning such makers you will find them actually very interested in talking about their "methods" - I have found

- but there are more things written about the violin, by genuine fully competent violin (modern) makers, that lay everything out for everybody to have and use, that "trade secrets" are mostly just a quest for individuality.

The trick is to find and use something that appeals to you, and goes along with what or how you believe in to start with.

At least this is how I learned how to finish in the manner that I do, and virtually everything else regarding building. Many VMAAI meetings, listening to the various professional makers speak (who rarely agree on many things) and much internet chatter from professionals...

It's ALL out there, and has been there for some years.

Any methodology that you develop, as you learn from other more accomplished makers, when and if you just start building, that you want to become symbolic of your own work, you can incorporate as a "trade secret of your own" if you want,

but the fact is, that so much building information has been covered by modern makers holding virtually nothing back, I suggest that all you have to do is be serious and industrious, it seems, and everyone with something of value, will open up and tell you what you need to know.
In reality, what do they have to loose?

Nothing.

Of course a lot has to do with who you listen to, and how skilled you either are, or are going to get.

You can re-finish the top of any already made violin by stripping it of its current varnish, or by giving it a new 'final' top coat, or, if you have made a new top for the violin in question yourself, you can put whatever varnish you want to use or make on it, coloring it as you will - there is no single specific way to do this, which brings up a topic worthy of an entirely new thread.

The varnish and ff holes are simply part of it.

You could simply tape them from the inside which would not allow any varnish through to the inside of the back plate - or you could just simply varnish it being very careful - which is what I do half the time. And if any small droplets make it through to the back, oh well - it is handmade after all.

Of course this is not OK when dealing with an important historical label, in which you simply wouldn't drop any varnish into the ff holes. Or as many repairmen do - simply cover the label itself, or even, the entire back plate under the ff's, when working on the violin.
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Last edited by ctviolin on Tue Oct 23, 2012 9:09 pm; edited 3 times in total
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ctviolin
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PostPosted: Tue Oct 23, 2012 8:45 pm    Post subject: Reply with quote

Ok, So, I've got a Grande Boca - that's always on 'on' - I won't deny it...

ct
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Canuck
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PostPosted: Tue Oct 23, 2012 9:08 pm    Post subject: Reply with quote

My interest was not so much as how a top is re-finished, but how to avoid the problem of the new finish migrating into the violin during the process. Thank you for your very detailed answer. I was not asking for trade secrets relative to the re-finishing as much as I wondered about the "f" holes and what to do about them during the process. Your answer was very thorough. 1/ use extreme care. 2/ apply masking tape to the "f" holes from the inside (doubtless a tricky process), or 3/ apply tape over the interior label. Forgive me for asking the question in such a way that it appeared that I was after answers to a question much deeper than that.
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ctviolin
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PostPosted: Tue Oct 23, 2012 9:11 pm    Post subject: Reply with quote

Canuck wrote:
My interest was not so much as how a top is re-finished, but how to avoid the problem of the new finish migrating into the violin during the process. Thank you for your very detailed answer. I was not asking for trade secrets relative to the re-finishing as much as I wondered about the "f" holes and what to do about them during the process. Your answer was very thorough. 1/ use extreme care. 2/ apply masking tape to the "f" holes from the inside (doubtless a tricky process), or 3/ apply tape over the interior label. Forgive me for asking the question in such a way that it appeared that I was after answers to a question much deeper than that.


Ha ha!

Didn't I just cop to having a big, non-stop mouth?

I can't help it, it never seems to stop.

Please, post further when you do finish this violin's top, if you do.
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Canuck
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PostPosted: Tue Oct 23, 2012 9:16 pm    Post subject: Reply with quote

Canuck wrote:
I'm not asking this as a restorer. My one violin has been refinished, and there is no trace of evidence inside that the work was done. Having no clue how varnish is applied, I have wondered how the work might have been done. One thing I have found with the finish on this violin is that the finish is delicate enough to be marked by a finger nail! Is that normal for varnish?


Please note in my previous post that I specified that "I am not asking as a restorer". I am not, and have no intention of ever re-finishing this violin, or any violin. I admire the skills that so many of you have! But my field of expertise in restorations does NOT include musical instruments. I love this instrument with a passion, just the way it is!
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ctviolin
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PostPosted: Wed Oct 24, 2012 10:08 am    Post subject: Reply with quote

Canuck wrote:


Please note in my previous post that I specified that "I am not asking as a restorer". I am not, and have no intention of ever re-finishing this violin, or any violin. I admire the skills that so many of you have! But my field of expertise in restorations does NOT include musical instruments. I love this instrument with a passion, just the way it is!




Oops, sorry.
(did I mention that I have a big mouth?)
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kubasa
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PostPosted: Wed Oct 24, 2012 1:38 pm    Post subject: Reply with quote

When I work around the f-holes, I approach it a couple of ways. At the top and the bottom holes, I brush towards the holes and then lift my brush when I get about half way across the holes. For me, I've found that if I pull the brush over the entire hole without lifting the brush, the trailing edge grabs extra varnish off the brush which can make a globby mess insde the hole if I have too much varnish on the brush (speaking from experience.....). As for the length of the f hole (in between the holes), I run the brush up to the edge on either side of the f. After the top is all varnished I go back with a fine brush and either add varnish or smooth out the varnish along the inside edges. This is just what works for me using oil varnish. Hopefully this makes sense!

Are the upper and lower holes on the f called lobes? Do they have names? Maybe not...
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Canuck
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PostPosted: Wed Oct 24, 2012 2:20 pm    Post subject: Reply with quote

Kubasa,

Thanks for your input. I have no intention over ever attempting the sorts of work that you folks do. But I had sort of wondered whether the "f" holes might be plugged with putty. But I suspect that extreme care is the way to do it right. One might be inclined to over-do the varnish near the "f" holes resulting in a mess, if putty were used.
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