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actonern Super Member
Joined: 15 Aug 2007 Posts: 444
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Posted: Tue Feb 19, 2013 8:30 pm Post subject: lining clamps |
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Does anyone know what type of clamps were used by the big names in Cremona to glue the linings to the ribs?
Just curious.
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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actonern Super Member
Joined: 15 Aug 2007 Posts: 444
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Posted: Tue Feb 19, 2013 9:13 pm Post subject: |
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Oh that's good!
Do you have to buy the doodad clamp thing to put them on and do you need a license for these things??? |
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actonern Super Member
Joined: 15 Aug 2007 Posts: 444
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Posted: Tue Feb 19, 2013 9:21 pm Post subject: |
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On a slightly different tangent...
Lining heights in the C. and J. book are recommended to be between 7 and 8 mm....
I'm guessing not much turns on it, but I'm not sure either... any thoughts on wheather it's better to go light light light and set them quite short, or go tall and help stabilize/strengthen the ribs?
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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violinarius Member
Joined: 14 Dec 2007 Posts: 171
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Posted: Tue Feb 26, 2013 5:38 am Post subject: |
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There are a lot of tools missing from Stradivari's shop.
I suspect that they slowly left the shop as bills became due.
The more practical and general the tool, the easier it would be to sell it.
Nothing special about everyday tools like saws or chisels.
So there is a saying in woodworking, "You can never have enough clamps!", so it is my guess that clamps went first. Jointer and smoother plane second.
We are left mostly with the specialized violin making tools, such as violin finger planes, moulds, countermoulds, thickness gauges, purfling scribers etc., which leads me to think that these were considered worth saving, since they are unique. |
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Michael Darnton Moderator
Joined: 23 Mar 2007 Posts: 1347 Location: Chicago
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