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Michael Darnton
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Joined: 23 Mar 2007
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PostPosted: Fri Dec 20, 2013 9:05 pm    Post subject: Reply with quote

What others believe doesn't affect me in this regard. I do what I do for my own reasons and gratification, and comes out of my own understanding, as it develops. As you might have seen in other contexts, players' understanding and appreciation of instruments varies quite a bit, as does that of other makers. I just try to constantly understand more, and understand it better, and don't worry too much about what others are thinking about the subject unless they seem to know something I'd want to learn.
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Michael Darnton
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PostPosted: Sat Dec 21, 2013 9:06 am    Post subject: Reply with quote

A morning addition: as some of you know, I'm back into photography again http://flickr.com/mdarnton, which has been an on-off thing for me since I was a kid. Consequently, I'm following a few photo boards. I see the same thing in the photo boards, with more introspection than on violin boards, and that's the gulf between technology and art.

Both violin making and photography have artists and gearheads, but the photo world at least has the discussion. In both, the gearheads far outnumber the artists, and the gearheads unsuccessfully affect the trappings of artistry (very few people seem to want to self-identify as a gearhead in something that's commonly been identified as an artistic pursuit), but more photographers are self-aware on that issue than violin makers. In both areas, however, this makes inter-species communication nearly impossible.
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Last edited by Michael Darnton on Sat Dec 21, 2013 11:26 am; edited 1 time in total
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ctviolin
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Joined: 07 May 2009
Posts: 961
Location: Roswell

PostPosted: Sat Dec 21, 2013 10:23 am    Post subject: Reply with quote

Michael Darnton wrote:
What others believe doesn't affect me in this regard. I do what I do for my own reasons and gratification. As you might have seen in other contexts, players' understanding and appreciation of instruments varies quite a bit, as does that of other makers. I just try to constantly understand more, and understand it better, and don't worry too much about what others are thinking about the subject unless they seem to know something I'd want to learn.


Very interesting.

I believe that I'm on sort of the opposite side of this fence. I think, think, and over think everything having to do with this occupation. As I always have. In fact, I have done as much experimenting and fooling around almost, as just straight making, through the years. Of course I was never really a trained professional, just a struggling wannabe.
I remember way back when, making a plate and then cutting it into strips in order to satisfy myself that Vigdorchik (sp?) was entirely off the mark (which, really, I knew was the case anyway... but could not prove back then.) Remember that? that was on another board altogether and some years ago...

Yes, I'll admit that it has taken me some years to calm down a bit and accept that violin making is simply that. (in a manner of speaking)

That there is a cool practicality to making - that is not complicated by any sort of "magic" or "hidden knowledge" anywhere today. Also, I do still have a wonderment about the Strad-era violins.

Yes I've been around them occasionally. Once Mr. Menuhin and his sister Hephzibah were playing violin and piano about five feet from me. I still hold that in my mind as something I'll never really be able to completely understand. How was that wonderful sound accomplished? Was it Mr. Menuhin's unbelievable ability - or was the violin a part of it all? A combination of the best along with the best?

Ahh, to me it is an interesting thing - what we've chosen to (try to) accomplish.
Yes, I have to say that to me, there is always some "mystery", or perhaps just something unknown about it all that I react to.
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ctviolin
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PostPosted: Sat Dec 21, 2013 10:34 am    Post subject: Reply with quote

Michael Darnton wrote:

Both violin making and photography have artists and gearheads, but the photo world at least has the discussion. In both, the gearheads far outnumber the artists

In both areas, however, this makes inter-species communication nearly impossible.



"Interspecies communication" Between gearheads and artists...?

Ha ha! - priceless!
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Michael Darnton
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PostPosted: Sat Dec 21, 2013 11:47 am    Post subject: Reply with quote

Then there is the additional communication problem of discussions involving a mix of good gearheads and bad ones, good artists and bad artists, on sliding scales with people of little self-awareness of where they fit in all of that. Bob Bein had a nice rule regarding this: attact yourself to people who are the best, keep your mouth shut and listen. Of course many people can't recognize quality to make that selection of an appropriate mentor.

See, Craig, I think too much, too.
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Last edited by Michael Darnton on Sat Dec 21, 2013 2:38 pm; edited 1 time in total
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actonern
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Joined: 15 Aug 2007
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PostPosted: Sat Dec 21, 2013 11:53 am    Post subject: Reply with quote

"...Both violin making and photography have artists and gearheads, but the photo world at least has the discussion. In both, the gearheads far outnumber the artists, and the gearheads unsuccessfully affect the trappings of artistry (very few people seem to want to self-identify as a gearhead in something that's commonly been identified as an artistic pursuit), but more photographers are self-aware on that issue than violin makers. In both areas, however, this makes inter-species communication nearly impossible."


Yes indeed. And in photography, the enormous strides achieved in digital imaging technology has dramatically diminished the difference in outcomes between the technically oriented "gearheads" and the enthusiast with only basic skills. So much so, that the gearheads, who were attracted to the medium especially because of the challenge of achieving technical mastery are losing interest in droves as technically good photographs are achievable by anyone. As one blogger put it, "...when everyone is special, no one is."

DSLR sales are down to the tune of 40 percent... but the photographers that never much obsessed about the tools have never had it better!
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ctviolin
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PostPosted: Sat Dec 21, 2013 10:14 pm    Post subject: Reply with quote

Michael Darnton wrote:


See, Craig, I think too much, too.



Yeah, I did give you an out on that one, if you'd only taken it.

(but I had a feeling you were most likely a think, think, thinker...)

BTW great photos, I'm a b&w fanatic.
Lots of great b&w moments caught there... I don't know what (or why) it is about black and white photographs, very often they add a dimension'and a whole feeling that color often lacks.
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